Originated in India, the art of making batik sari has come a long way from a mere craft. To make batik sari clothing are designing by covering an integral part of it with a coat of wax and then dyeing the cloth. The waxed areas keep their unique color and when the wax is removed the contrast between the dyed and un-dyed areas makes the pattern. The flower designs are mostly seen on batik sari.

If you need to buy batik sari that gives you the latest range of batik sari, printed batik sari from Rajasthan and Madhya Pradesh for online shopping of Indian batik sari, also you can learn more about batik printed sari and batik printing process.

In the past, batik was considered as a fitting occupation for aristocratic ladies whose carefully painted designs based on bird and flower motifs were a sign of cultivation and refinement just as fine needlework was for European ladies of similar position. The wonder of batik sari lies in its ease and the fact that one need not be an artist to achieve results. Several of the finest effects in batik are often achieved by chance.

HISTORY :
Batik is very often considered a craft like ceramic, pottery or even needlework. Although it is a household word all over the world, batik is still unnoticed by art critics who do not think it an art form. You will find several countries recognized for their batik and Bollywood Saree creations, starting with India where it originated. After that it moved to Indonesia, Malaysia, Sri Lanka, Thailand and the West.

The history of Indian batik can be traced as far back as 3000 years. Indians were familiar with the resist method of printing designs on cotton fabrics long before any other nation had even tried it. Rice starch, and wax were initially used for printing on fabrics. India has always been noted for its cotton and dyes. The navy blue, which is the basic color for batik saree, is one of the earliest dyes. It is believed that after its initial popularity in the past, the tedious process of dyeing and waxing caused the decline of batik in India till recent times.

MAJOR CENTERS :
Indonesia apparently took over from India and encouraged the art of batik. With its popularity and success in the western areas, batik grew to be a part of Indonesia.

The revival of batik in India began in the 20th century when it was introduced as a subject at the well-known university of Shantiniketan in Calcutta. In the South near Madras, the well-known artist’s village of Chola-Mandal is where batik gets an artistic touch. Batik that is produced in Madras is known for its original and vibrant designs.

Indonesia however is considered the cradle of baju batik (Indonesian) with its a lot of designs, that are restricted for different wearers and occasions. Indonesian bajubatik has characters of mystic and ritualistic connection. Objects like flowers, trees, birds have a significant meaning. The Sawat in Javanese batik has its origins in Hindu mythology, as it is the decorative form of Garuda, Lord Vishnu’s bird. ‘Sidomukti’ is another Hindu influence in batik. ‘Mukti’ means happiness and prosperity in the Hindu mythology. While Indonesia, Malaysia and Thailand are known for their block printing (tjab) technique to create kaos batik on a big scale, in Sri Lanka batik is still made by hand. Sri Lankan batik is less intricate and more suited to modern times.

Most peoplehave heard of Batik but several are not really aware of the process of batik or the story behind the origins of batik. Batik clothing is an antique craft dating back centuries and relates to hand drawing or hand painting involving wax. Wax-resist dyeing is the meaning of the art of historical batik.

Wax is painted on to the fabric and the color is filled into the fabric between the wax. The instrument stated as used for this particular art form in Javanese cultures was called a canting. This is an item in design similar to a pen that was used to apply the design with the wax directly to the fabric. The wax is placed to stop the color running through to the next color of the design.

The wax is then later washed from the cloth leaving just the color hence the white lines you will always see on batik. There are then of course a type of designs which are sold as batik but are actually made using more traditional methods and while the look may be similar they aren’t in fact original or true batik.

Batik is considered a traditional art in a lot of Asian countries. In Javanese the description of the word Batik is writing with wax. In Indonesia for example there are traditional batik colors mostly darker shades of indigo, dark brown, white and violet, which are used in representation of four main Hindu Gods. Other countries in Asia, as stated, are also traditionally using batik techniques, such as India, Sri Lanka, Iran, Philippines, Malaysia, Thailand, Burma etc. There is also some West African countries like Ghana, Cameroon and Uganda among others that also use batik all of which will be in varying degrees of the same original historical form of batik.

Many Javanese temples also have attractive stone statues sculptured on their walls however confirmed historical proof of these designs being batik is as yet to be determined. They could in fact have been created using a weaving technique rather than the traditional batik. No doubt in the future there will be proof of these facts and it will be clear which traditional and historical art form was used in the making of these wonderful designs.

It’s also said that there were specific Batik designs that were created for Javanese royalty and these particular designs can only be damaged by royalty whilst other regions in Indonesia offer their own designs exclusive to their region. There are others however who deny that batik was meant for royalty alone and that it was a form of art created for all people.

Thanks to transformation you are easily able to buy baju batik (Indonesian). Whether it is traditional or not you now have the tools to check for yourself. If the artist is not willing to demonstrate you how they are creating the designs then it is in all likelihood that they are using a modernized form of batik and therefore while still beautiful you will not be purchasing a traditional bajubatik. Therefore just because the price of a particular kaos batik is maybe more than another it doesn’t also mean that it is original.

Solo City is recognized as among the cultural city in Indonesia, Solo is also currently still have a very strong tradition of empire. According to historical facts, batik solo, however, lies in advance compared with the batik of Yogyakarta. Prince Mangkubumi from Yogyakarta visit to Solo and came back with batik as a foundation for creating batik of Yogyakarta.

Even with having the same source, but the solo batik and Yogyakarta batik has a diverse character from each other. Solo Batik is generally golden brown. In the motifs, not found in white. Solo batik motifs of the most famous is “Sidomukti”. This dissimilarity is due to differences in political views among the two kingdoms to the arrival of the Dutch.

Yogyakarta royal party is firmly opposed to the Dutch colonial government so as to create batik motifs and colors are more explicit, while attitudes Solo kingdom’s pro-colonial look of batik creates. The closeness of the relationship between the work of Solo and Solo batik impressed the Netherlands resulted in more flexible and free. The decoration was more varied, and the color is more various.
If we discuss about batik Solo, it looks hard to escape from a batik-producing village in the name of Solo, that is Kampung Laweyan. This village is famous as batik producers since the 19th century. Residents in this village an average success as batik entrepreneurs known as Gendhu Gal.

Heyday these entrepreneurs will be seen from the architecture of the homes they have. Like a big palace, surrounded by high walls with big wooden gate. Although it has many historic homes turned into shops, Kampung Laweyan image as a producer of batik village didn’t fade.

Some batik solo contains philosophy which influenced many of the Javanese and Hindu Philosophy. Some examples of decorative batik Solo on its meaning, as follows:
1. Bird is the world’s top, or wind;
2. Flame symbolizing the fire burning;
3. Denoted by Mt Meru.
4. Water is symbolized by the Dragon.
5. Aircraft or wing, is to describe the crown, or school.

If you want to know more about batik Solo, please arrive to the Museum Batik Kaoeman located in Kampung Batik Kauman. Many of pieces of batik and batik maker decades-old show at the old house was a typical Java. In the museum wooden walls, lined batik stamp that shows the rich variety of decorative batik Solo. Each batik fabrics on display are labeled, so that visitors know the info about batik.

Solo is famous for many has a lot of gallery / showroom that serves a type of batik clothing. Demand not just the people who live in Solo only. A lot of tourists from the country and abroad who go to the solo just to buy batik clothes offered. With a relatively cheap price it’s no wonder if many people purchase them for later resale in their areas of origin.

Today the place is very well-known as a center of trade batik solo is Klewer Market. In this market there are a lot of vendors selling a variety of baju batik (Indonesian) from various brands. Traded goods are also not limited to bajubatik but also have started getting the innovation with other products such as kebaya, batik dresses, kaos batik, batik bags, and others.

Brilliant! That is the word that first comes to mind when looking design that resembles the shape of clouds in the sky. But then, after I have often noticed this motif, there arises a sense of awe in my mind. His motives are impressed abstract, it’s very beautiful and good-looking. In addition, it turns out this motif has a value of history, art plus philosophy are very high.

Batik motif is well-known by the name Megamendung. It’s a work art of batik, that is identical and still become an icon of batik originated Cirebon district. Batik motif has a characteristic value of which does not exist in other regions of batik producers. In fact, because only in Cirebon and is a work of art, the Ministry of Culture and Tourism of RI has authorized Megamendung pattern to UNESCO for recognition as the world heritage.

Megamendung pattern as the basic motif of batik is popular to foreign countries. As proof of his fame, never made Megamendung pattern batik cover of a book published abroad, entitled “Batik Design”, the work of a Dutch named Pepin van Roojen.

The exclusivity Megamendung pattern not only in the form of an image motif resembles a cloud with the colors of assertive, but also the values of the philosophy contained in his motives. It’s closely related to the overall history of the birth of batik in Cirebon.

The history of the emergence Megamendung design is based on books and literature that there is always leads to the history of the arrival of the Chinese into the region of Cirebon. This is not something surprising because the port Muara Jati in Cirebon is a stopover arrivals from home and abroad. Obviously recorded in history, that Sunan Gunung Jati who spread Islam in Cirebon area in the sixteenth century, married the Queen Ong Tien of China. It appears from a few of the art objects brought from China such as ceramics, plates and cloth decorated with cloud forms.

Batik Megamendung

The history of batik in Cirebon is also closely linked with the development of the congregation said movement based in Banjarmasin, South Kalimantan. Batik was originally done by members of the congregation who served in the palace as an economic resource to finance the order’s group. The adherents of the worshippers lived in the village and surrounding Trusmi. The village is located approximately 4 km from Cirebon towards the west or toward Bandung. Therefore, until now batik Cirebon synonymous with batik Trusmi.

Megamendung pattern that was originally always characterized blue color red color interspersed describes masculinity and dynamic atmosphere, because in the process of making the intervention of man. The male member that was originally pioneered tarekat tradition. Blue and deep red color also describes the psychology of coastal communities straightforward, open and egalitarian.

In addition, the color blue is also touted the color symbolizes the sky is vast, friendly and tranquil and symbolizes the carrier rain-awaited as the bearer of fertility and life-giving. Blue colors are used ranging from light blue to dark blue. Describe the increasingly bright light blue and dark blue depict the life of the dark clouds that contain rain water and give life.

During its development, Megamendung pattern undergone many developments and modified according to market demand. Often we meet, Megamendung pattern combined with animal motifs, flowers or other motifs. Indeed the incorporation of this motif as already done by the traditional batik in the past, but development into a very rapidly with the intervention of the fashion designer.

Being Megamendung pattern previously recognized only in the form of baju batik (Indonesian), can now be found in a variety of forms of goods. There is a glass wall hangings, paintings, interior products such as wood carving products and household appliances such as pillowcases, bajubatik, sheets, kaos batik (Indonesian), tablecloths and others.

My name is Dedy Indrawan, I’m a male child of the 2nd of 4 brothers couple of Mr. Liem Boen Lie and FM Eny Yuliastuti. I was born in Lubuk Linggau – Indonesia, a little town in the southern part of Sumatra island on 22-11-1980. I’ve a beautiful wife with two daughters who are no less beautiful.

I still remember my first day of work was on 15 June 2005. Story of my career, with a pretty excellent until about the year 2007 a very intense process occurs acquisition of small banks by foreign banks, and the bank where I work did not escape the process of acquisition and mergers. Everything was at first completely comfortable began to change after the entry of foreigners, working pressure and is also a dispute with another co-worker started to trigger a not feel at home . Finally in September 2008 I decided to move to a new bank which is also one of the leading foreign banks in Indonesia.

Because of my profession as a lot of marketing in direct contact with clients from diverse business background so I got the idea to start an on-line business selling bed linen and bed covers that started my path since October 2009 with the web address omahsprei.com that many sell a variety bed linen, bed cover, blanket, love pillows, etc. With the help of a good friend who I learned many about SEO techniques that make the web I can get a good position in google for some key words that I need.

I started this business with a minus financial situation, with no capital at all. When opening a business, my financial balance is minus. When deciding to do business by borrowing money from my sister in law. Thanks to the perseverance and the help of his wife this business has developed very well.

Getting an online business is progressing and the results can already approached my salary in the bank, then in May 2010 I immediately decided to resign from workplace and concentrate for the expansion of this business. Thank God I’m not mistaken choice because the business has developed very quickly and finally the middle of 2010 I opened an online store that is jualanbatik.com, a lot longer sell a lot of baju batik (Indonesian), batik t-shirt, tas batik, laptop bags batik, dress batik, bajubatik etc.

At first all I am doing this alone with my wife, but along with the development of an increasingly crowded business so we decided to recruit employees. We currently have 4 workers and the plan will soon begin to increase again because it was overwhelmed that so many orders. The key to all success is perseverance, patience, courage to accept the problem and also prayerful and sincere best to present offerings to God.